October 8-13, FINDING YOUR FORM THROUGH NATURE, an amazing group of 14 came together for an wonderful workshop that brought the outdoors indoors for inspiration! The result was a quiet explosion of creativity and 6 kiln loads of tiles, clay sketches, platters, signature pieces and meditation bowls!!! The members of our class, plus my assistant, Glory Day Loflin made my 3rd experience teaching at Arrowmont the best yet! My gratitude goes to each of you along with special thanks for the positive and welcoming attitude and efforts of everyone involved with Arrowmont. You set the stage for our experience in this workshop and it was awesome!
I will do my best to keep you posted..... My love and thanks to each of you for your support!
JUST 1 MORE WEEK TO SEE: A WALK REMEMBERED at Riverworks Gallery, Greenville, SC, closing on May 26th, PLEASE DON'T MISS THIS SHOW!!! It is 3-D journal of my life...
Nature conjures images of the power of fecundity, the quiet of meditation, and the sensuousness of form. Though nature is often equated with vastness, the ocean or the Blue Ridge on a drive to Asheville, we overlook the magic that each of us are of nature. All life is either born, hatched or sprouted. Alice Ballard reminds us that the miracle of nature is often condensed into the smallest pod, fruit, or twig that we step on or bypass in our rush to scenic grandeur. Alice began making her "White Works" in the 1980's after ..."discovering a bag of tulip bulbs beneath my studio sink that I had forgotten to plant in the fall." These bulbs had sprouted in the damp dark. A number of years later the "...series focused on the often tiny natural objects I pick up on my walks."
Alice creates A Walk Remembered by arranging and grouping her sculptural clay forms on low pedestals that make a winding path through Riverworks giving us a similar perspective for making our own discoveries on our walks. Alice's "White Work" is white earthenware burnished with white terra sigillata. Each is a hand built sculpture based on the small, often overlooked bits of nature - a shell, a seed, a twig. Through her exquisite craft she elevates these found natural bits and pieces to create a space of contemplation and appreciation of grandeur on a smaller scale. Though white has a number of personal associations for Alice, creating these works in white heightens our appreciation of their form without the distraction of color. Alice recounts, "Nature to me is a constant reminder of the interconnectedness of all things. My attention is drawn to natural forms that become symbolic of rebirth, hope, and renewal."
Alice's "White Works" relate to her life's journey through happiness and pain from Charlotte to Alaska to Greenville. As a self-described "eternal optimist", Alice beckons us to calmly, and with spiritual grace, join her on A Walk Remembered.
Alice is retiring from teaching in Greenville. She and her spouse are building a home in an orchard that will provide fertile ground to discover more natural forms for her "White Works." Alice has made art in an international ceramic colony in Macedonia and in India on a Fulbright Grant. She muses that her time in Alaska influenced her delight in white. For Alice, "White is like pure potential."
RIVERWORKS Gallery is operated by and for the faculty and students of the Department of Visual Arts at Greenville Technical College. The gallery is located at 300 River Street, Suite 202, along the scenic Reedy River in downtown Greenville, South Carolina.
For more information, contact:
Fleming Markel, Gallery Director
Especially good for teachers but also good for all levels...
Opening tomorrow, April 27 - May26, 2018, A WALK REMEMBERED, an installation by Alice Ballard, Riverworks Gallery, Greenville, SC, Opening Reception, May 4, 6-9, First Friday
Coming SOON!!!! My 1st Pop Up Show at Kate Furman Studio 547, Perry Ave., the Village of West Greenville
PLEASE drop by to see our work some time during the 3 day show, April 13-15, 11-5. Our work will be displayed throughout her gallery and workshop space. Kate and I are looking forward to doing something fun and creative to show off the work so don't miss this Pop Up!
Did I mention that this is also a celebration! Roger and I have purchased a small orchard and are building a small home and 2 studios in Clover, South Carolina! Did I mention that my son Ryan, his wife Jen and grandchildren Lily who is nine and Charlie who will be 6 in June will be just 10 miles down the road? The other best part is we are only about an hour and a half away from all the folks I love in Greenville. Yeah!!!!! So help us celebrate!!!
Do come to see the show! It is just gorgeous! As always, Blue Spiral staff did an outstanding job installing the work and had a lovely and well attended opening last Thursday. I would love to hear what you think about the show, and my work, especially the 4 new Ming Roses. They have a very special story behind them which i will share in another blog...
My work is in the exhibition Organic Form: Works Inspired By Nature, Main Gallery on the main floor of the gallery. I have a variety of work in this show from large wall platters from my Garden Impression series, a group of 3 Half Pods and the 4 new Ming Rose pieces that are an echo from my past...
Blue Spiral 1 is open 7 days a week (Sunday they open at noon}. They are easy to find in the center of Asheville. bluespiral1.com/artist.cfm
Registration has started at ARROWMONT School of Arts and Crafts. I am teaching FINDING YOUR FORM THROUGH NATURE, A Clay Workshop from July 8-14, 2018
Arrowmont is one of my favorite places to teach. It is always a joy to return and reconnect with old friends at the same time making new friends. Once again, I am happy to announce that Glory Day Loflin will be assisting me. Glory is a young and amazing emerging artist who is as comfortable with clay as she is with 2-d mediums. Together, we will have a fabulous time and cover a lot of territory in observation and mindfulness, as we connect with our clay and the beautiful natural environment of Arrowmont's gardens and wooded areas.. This class has always proven to be an excellent class for both beginners and advanced students. Glory and I are looking forward to seeing many of you at Arrowmont in July.
The "F" Word, currently showing at Riverworks Gallery, in the heart of Greenville, SC through December 16th
Let me share a bit about this amazing workshop/retreat at Lake Logan...Words like amazing, spiritual, calming, connecting, magical, FUN, kept coming up, so much so that on the last day we started talking about a reunion!!! I declare it one of the most enjoyable, deeply spiritual and fun workshops I have done. I attribute this to Norma Hendrix for having the wisdom to make good choices when she put this workshop together her ability to be flexible and open to special opportunities that revealed themselves along the way. Next I thank each person in our workshop as well as those doing an mini artist-in-residency for their openness, flexibility, openness, humor and sharing attitude.
I would also like to remember Paulus Berensohn, artist, dancer, poet, environmental activist, philosopher, and author of FINDING ONE'S WAY IN CLAY. I first met Paulus through his book. It was an important starting point for my approach to teaching and my work in clay for some twenty years. I finally met Paulus when I taught my first class at Penland called FINDING YOUR FORM THROUGH NATURE! From that point forward, I felt like I had known him for a life time. Time spent around Paulus was always a great gift especially when he read poetry... Although he is greatly missed we know he is now "changed addresses", as he was fond of saying. Now Paulus is part of everything. As folks in our group were sharing stories about Paulus, suddenly the lights in our studio flickered and went our very briefly. We all reacted at once laughing and exclaiming that it must be Paulus reminding us of his presence in the universe and that we are all still very much connected..... Thank you Paulus!
MACEDONIAN PEPPER, soon to be seen in Trial by Fire, opening at the Gallery at Flat Rock on Tuesday, October 10, 5-7 PM
The story that follows is about why I chose MACEDONIAN PEPPER the exhibition Trial by Fire.
In August of 1998 I was invited to the International Ceramic Colony in Resen, Macedonia for a 3 week experience with a small group of ceramic artists from Europe and the Middle East. I was very excited to take advantage of this unique experience, however, that area was where the United Nations had a presence while they waited for possible war in Kosovo. The decision I had to make whether to go or not felt like “a trial by fire”…. I decided I would wait until the last possible moment and if the war had not started in that region, I would go. It was a scary proposition to say the least. I decided to rely on my instincts and intuition. The war had not started so I decided to go, hoping that thefrom Resen would be there to meet me in this time of chaos in the region. Much to my relief, Mila was waiting with a big hug! We left immediately as they transported me to the lake region bordering Greece and Macedonia, still a resort area for the most part. My 3 weeks in Resen was indeed a life changing experience that I will never forget. I will love this time and the people I met forever...
For me, the pepper became a metaphor for the region, in part because they are a staple in their diet. At the same time peppers are a voluptuous and beautiful, the type of form I am attracted to. So when I returned home I created “Macedonian Pepper” in white earthenware and terra sigillata. It shows both the incredible and sensuous beauty of Macedonia as well as the feeling of unseen danger represented by spikey hornlike projections on the dark underside. This was the heightened reality of the 3 weeks I spent in Resen… Beauty and the kindness of everyone greeted me each morning but as I gazed across the lake at Albania at the sunset, I knew there was a dark side that seemed to illuminate and enhance my experience of being a visitor in Macedonia. That contrast of the dark side against all that brightness and beauty made the experience palpable...
My Macedonia experience changed me forever and for this I am deeply appreciative…Risk taking, if taken for what one believes are the right reasons, often yields unexpected and special gifts that cannot be obtained in any other way. My “Macedonian Pepper” is a visual symbol for that gift….When i see it, visions of my Macedonia experience comes rushing back!
An exhibition which is an installation poses special challenges. I thought I would share some details that will demonstrate the complexity and challenges of such an exhibition.
The first step after conceiving the idea is consider how best to share your idea visually. In this case I wanted to invite the viewer to take a slow walk in order to view my work. My walks are slow, meditative and meandering. I am usually looking down as I discover all manner of Nature's treasures. It is these treasures that inspire my work in clay. Therefore, I have displayed the work so the viewer will be looking down to view it. The pedestals have been stacked to create a type of geometric interpretation of a topographical map. The levels were added for visual interest. I also wanted to slow the viewer down by the way the pedestals were placed. my hope it to guide the viewer on their walk without their awareness of my intent... This required that I begin with a floor plan of the space to work with from the Bascom.
The actual work of getting paperwork and work ready was done with the help of my very able assistant Mackenzie Patterson. Mackenzie was instrumental helping me invoice the show with all those required details like price, size, medium. She also helped me lay out where the pedestals would go in advance. This required us to measure the commons at CCES, where I teach, cut paper patterns for all the pedestals we had available to use and then try to imagine how to lay them out in the Joel Gallery to achieve a certain visual look. We also had to allow for travel space for visitors to cross Joel gallery to enter another gallery on the other side from where the stairs and elevator were located. This was done in advance to avoid having to move heavy pedestals around any more than necessary and photographed. At this point, everything was carefully packed for a trip to the Bascom to begin the installation.
This seems the perfect opportunity to thank Mackenzie for being a huge help with this challenging endeavor. I also want to add my gratitude to Mackenzie for being my artist assistant for the past year. She is an amazing young woman who just started her first year of college at USC. She is bright, creative, flexible, funny, mature, empathetic and will be an asset to mankind as she finishes her education and goes out into the world with one mission being to make a difference! How fortunate I am to know Mackenzie and to have benefited from her help in so many areas. Bravo and thank you Mackenzie!!!!!!!!! I am so glad we can continue our friendship because Greenville is also Mackenzie's home and she will be coming back from time to time!
I would also like the thank everyone at the Bascom for their help, especially Teresa Osborn, Executive Director. I would also like to thank Maurice Laderoot for his help preparing the pedestals and for helping me get them into place for the installation.
Hope you enjoy the images from paper patterns to the finished installation of "A Walk Remembered". I hope you will come to see the show at the Bascom! It opened September 2 and will be up through December 2 so you can see first hand the "fruits of our labor". The opening is October 6th, 4-6. Please let me know what you think of the show! I always love feedback!
A CONVERSATION WITH NATURE: Walk Remembered, Joel Gallery, The Bascom, Highlands, NC, Sept. 2 - Dec. 2, 2017, OPENING Oct. 6, 4-6
photos courtesy of Alice Ballard
CONVERSATION WITH NATURE: A Walk Remembered
The Joel Gallery
September 2nd - December 3rd
OPENING - October 6, 4-6
The following is from a catalog for " Contemporary Landscapes…Crossing Boundaries" at the McCall Center for Visual Art, Charlotte, NC 2005.
I have always loved the following quote that was written about my work…
If we are to sustain our lives and the lives of our children’s, children,we must promote a deeper understanding of the ecology of people and place. How are we connected with each other, with other animals and plants, with each other, with our surroundings? What are the ramifications of our surroundings? What are the manifestations of our choices?Are we in the midst of a cycle of careless stewardship of living systems that sustain us… or are we entering a new era of hope? Alice Ballard’s exquisite ceramics of “natural objects” illustrate, by her hands, the fact that we are a part of an not apart from nature. If we understand that - we cannot escape our responsibility to use our own hands wisely.. Van W. Shields, director , Culture & Heritage Museums and the planned Museum Museum of Life and the Environment.
Hope you will have a chance to get up to the Bascom to see my show. Along with my show, the Bascom and the surrounding environment, sculpture garden, the Barn and Highlands with great restaurants and hiking trails make it a great place to visit, especially in the fall.
My art is a reflection of my relationship with natural forms. These forms come to me on walks, while I work in my garden, or appear as gifts from friends who share my fascination with the beauty inherent in Nature’s abundant variety of forms. It is often the metamorphosis of nature’s forms, as they change from season to season, that attracts me. I am endlessly drawn to that universal world in which differing life forms share similar qualities.
I spend countless hours contemplating a particular form in order to feel its energy. It becomes a Zen-like connection not unlike a meditation. As an artist, I hope that those who choose to connect with my work can share some of the harmony and tranquility I feel through the creative process. Perhaps, at the very least, the viewer will give those small, often unnoticed forms in Nature a second glance.
- Alice Ballard
Alice Ballard received her Masters Degree in Art from the university of Michigan before becoming a professional artist and educator. She received a Fulbright Grant to study in India, was one of 8 ceramic artists to be invited to the International Ceramic Colony in Resen, Macedonia, received a South Carolina Arts Commission Individual Fellowship and has work traveling work currently traveling in “Tradition//Innovation American Masterpieces of Southern Craft and & Traditional Art” organized by Art South. She is represented by Hodges Taylor in Charlotte, NC, Blue Spiral 1 in Asheville and Tao Evolution in Hong Kong. She has had solo shows at the Mint Museums, the Greenville County Museum of Art and has work in the collections of the Renwick Museum of the Smithsonian Institute in Washington DC, Arrowmont School , the Mint Museum of Art and the Greenville County Museum of Art. Her teaching experience includes Penland School of Crafts and she currently teaches at the SC Governor’s School for the Arts and Humanities and Christ Church Episcopal Middle School, both in Greenville, SC where Alice Ballard currently lives and maintains a studio.
CULOWHEE MOUNTAIN PROGRAM, WESTERN CAROLINA UNIVERSITY, LAKE LOGAN RETREAT FOR ARTISTS AND WRITERS
A few images to get you excited about the Lake Logan Retreat experience and what to expect.
For more information mailto:email@example.com?subject=re Lake Logan
Wednesday, October 25, 2017 – Monday, October 30, 2017
Ming Rose, my donation to the Penland 32nd Annual Benefit Auction, It will be offered Saturday, August 12th during the live auction
COMING SOON! ARTIST/WRITER RETREAT AT LAKE LOGAN, NC, Wednesday, October 25, 2017 – Monday, October 30, 2017 3:00pm
CULOWHEE MOUNTAIN PROGRAM, WESTERN CAROLINA UNIVERSITY, LAKE LOGAN RETREAT FOR ARTISTS AND WRITERS
Wednesday, October 25, 2017 – Monday, October 30, 2017
TEACHING TOGETHER AT LAKE LOGAN
ADIALOGUE BETWEEN ALICE BALLARD (TEACHINNG CLAY & DRAWING) AND JANICE MASON STEEVES (TEACHING COLD WAX AND OIL PAINTING)
JANICE: I'm looking forward to teaching a workshop at Lake Logan in North Carolina from October 25th-30th alongside Alice Ballard. Alice is a ceramic sculptor. You can see her work here: http://aliceballard.com.
Although we are teaching separate workshops, we will work together for part of each day, so students will have some experience with both teachers. Our workshops are called: Considering the Natural World as Source.
Alice, I'd like you to tell me a little about your work and how you teach.
ALICE: I am so excited to be working along side Janice Mason Steeves. You can see Janice’s work here: http://www.janicemasonsteeves.com Not only do I see wonderful opportunities to share what I will be teaching to her class but I get to be a student as well, as I learn about how Janice works with cold wax and oils along with the source of her ideas and inspiration! This is the richest of all ways to teach and to learn.
In answer to Janice’s question I would say my work is a reflection of my relationship with natural forms. These forms come to me on walks in my garden, hikes, the grocery store or appear as gifts from friends who share my fascination with the beauty inherent in Nature’s abundant variety of forms. It is often the metamorphosis of nature’s forms, as they change from season to season, that attracts me. I am endlessly drawn to that universal world in which differing life forms share similar qualities.
As for my teaching style, I encourage everyone to take a deep breath, slow down, to be “open” to the possibilities... Creating art should be a joyful and fun experience or process, an experience which is all about learning to work with your medium and to open your senses to all the possibilities without fear of taking a chance...It is the process after all that is at the heart of art making that drives our ideas forward...
Janice, my question to you is how you have come to choose cold wax on oils as your avenue for self-expression?
JANICE: I came to cold wax medium at the same time I was moving into abstraction. I had been painting representationally for 25 years, and felt my work needed to change. I found Rebecca Crowell’s work in cold wax and oil in Santa Fe and contacted her about taking a workshop with her. She had just started teaching at that point. I was delighted to meet her and to take her workshop. The medium spurred me into working abstractly, especially because the main tool Rebecca used was a 6” bowl scraper, which meant making large shapes. The only trouble was that I had no idea how to paint abstractly. So, I bought books on the foundations of art and design, and gradually taught myself. I developed a workshop to help students learn about the structure of abstract painting much more quickly than I did. So I teach the fundamentals of abstraction, along with techniques of cold wax painting.
I also am influenced by the world around us, particularly landscape, and especially light. I try to incorporate that influence into my work in an abstract manner. I agree with you Alice that creating art should be a joyful experience and I encourage play. That’s how I begin each new series, by playing, trying out new ideas, experimenting.
For the joint sessions in our workshops, I’ll begin each morning with a short contemplative coming together. Then I'll ask students to sit outside for 20 minutes, quietly and separately, coming in at the end to do 4 quick, small paintings in oil and cold wax. At the end of the week, we’ll gather as a group to discuss the questions I ask the students to contemplate as they sit outside, and to look at the resulting work.
Tell us how you’ll teach your joint sessions, Alice?
ALICE: My plan for our combined classes is to close each day with participants making a small meditation bowl in clay. The meditation bowls will be made by pinching a small amount of clay into a form. The form the clay would take on would be in response to something meaningful encountered during the course of each day…...
JANICE: I'm very much looking forward to working with you Alice. I think this is a very exciting idea. I love the idea of working collaboratively for part of each day.
To find out more information about these workshops and to register, contact:
Do not miss IN SIGHT!!!! I MEAN IT!!! These 3 emerging artists deserve to be noticed because they are headed toward becoming full time highly recognized artists worthy of our attention and support!
IN SIGHT: RECENT PAINTINGS BY DOROTHY SHAIN, GLORY DAY LOFLIN, AND KIAH BELLOWS
JUNE 2 - JULY 26, 2017
Opening Reception: First Friday, June 2 / 6 - 9pm
Artist Talk: Tuesday, June 13 / 6 - 7pm
'In Sight' is a group exhibition of new work by Greenville based artists Dorothy Shain, Kiah Bellows and Glory Day Loflin. After participating in a class at Penland taught by Alice Ballard last fall, they considered how they could bring that educational experience back to Greenville to share with their community. They proposed a show at the GCCA that fell in line with their experience of multimedia approaches to landscape at Penland, Dorothy through collage, Kiah through painting, and Glory through outdoor drawing.
THE GALLERY AT GREENVILLE CENTER FOR CREATIVE ARTS
25 DRAPER STREET, GREENVILLE, SC 29611
(864) 735-3948 http://www.artcentergreenville.org/past-exhibits/
Part II Slides from FINDING YOUR FORM THROUGH NATURE....The Bascom, Highlands, NC, Alice Ballard and Dow Redcorn